how to set up parallel compression

Without self-promoting too much – I hope! How do you usually compress an instrument? Since the original signal is still intact, the transients and natural dynamics remain while the compressed signal can bring out sustain, attitude, and details due its condensed dynamic range and the compressor’s harmonic content. This knob lets you mix in as much of the compressed signal as you want. Set the compressor to be really intense. Getting a good tone with your compressor is important. : You want it to be about as loud as it is with the compressor turned off. You might want a slower attack time as well. As you dial in your threshold, watch your compressor’s meter for something in that range. This one goes hand in hand with the last. So what is parallel compression? If you aren’t careful, compression can make your instruments sound over-processed and flat. If you use a compressor with an external sidechain, or adjustable sidechain, you can feed the sidechain with an EQ’d version of the source sound. Thanks so much for sharing, really detailed and extremely helpful. Natural, subtle control that brings the vocals further forward. Method 1: Set up an auxiliary send in your DAW as a separate bus and send varying amounts from different tracks to this bus to be compressed. Here’s the thing… Heavy parallel compression on the overheads can sound weird. If you want to add excitement and aggression, experiment with adding EQ or saturation to the parallel channel. How to Setup Studio Monitors, Choose a colorful compressor for the job, we’re not looking for transparentness here. Let's explore the basic concept of parallel compression and how to set it up in your DAW. This kick drum sounds a little wimpy, so I’ll beef it up with some parallel compression. : Can get pretty wild. In other words, aux tracks play an exact copy of other channels in your DAW. Please can you help me? Add a send. Great work Rob and I may just need to bookmark this page for brushing up! If you really crushing heavy parallel compression and mix it in lightly, then you can really highlight a track without making it too loud. You’re aiming for 5-15 dB’s of gain reduction. Just don’t forget to mix it in quietly. So set up a parallel compressor for the highs and another for the lows and then blend the results. Parallel compression works a little differently. Virtual Mix Engineer is the premier online music mixing and mastering service for recording artists. You’ll also want to make sure your send is set to “pre-fader.” This means the aux channel’s volume isn’t affected by any changes you make to the original channel’s fader. A little goes a long way so blend to taste and then pull it back slightly. You may be wondering how to use parallel compression on vocals. Before we continue… I’m guessing you’re here because you want to make music that sounds professional. It’s up to you. If number 2 is more your speed, check out Hack #2. If you aren’t careful, compression can make your instruments sound over-processed and flat. Both of them are playing the same sound, but one’s compressed and the other isn’t. The benefit of using compression in parallel is that you can easily achieve the vibe, color, and thickness the compressor adds, without any of the unwanted side-effects mentioned above. I recommend turning the aux track’s volume all the way down and then slowly turning it up. What if I told you that you can make radio-ready music at home, even if you’re new to mixing? So, if you want a shortcut to pro-quality mixes, watch this free masterclass now: Before we continue… I’m guessing you’re here because you want to make music that sounds professional. But use a Split Parallel Channel which processes Highs and Lows differently. But what if I told you that you don’t have to be an expert (with years of experience) to make professional music at home? Are there other techniques where you stack a duplicate of the track over the original? Learn how your comment data is processed. Learn how to make radio-ready music at home… without wasting hundreds of hours on YouTube. Muting and unmuting like this should help you figure out if the changes you’ve made are an improvement. Method 2: More and more plug-ins include a MIX knob, where you can control the wet/dry blend directly in the plug-in itself.

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