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He orders his daughter to confinement and sends his men out to hunt for Antonio, who has fled from the scene. Antonio and Mellida is a late Elizabethan play written by the satirist John Marston, usually dated to c. 1599. The title page of the first quarto states that the play was acted by the Children of Paul's, one of the companies of boy actors popular at the time. Rather than representing Italian politics with any historical accuracy, the plays seem instead to reflect literary precedents – Shakespeare’s Romeo and Juliet is one of the models for the first, while Hamlet, together with the tragedies of the Roman playwright Seneca, heavily influence the second. The bare instruction ‘Cantat‘ or ‘Cantant‘ (He sings/they sing) seems to leave it up to the performers to choose any roughly appropriate song they happened to have in their repertoire. In this speech, the reader learns that Andrugio is either dead or missing after a battle with the Duke of Venice and that Antonio is disguised in order to reunite himself with his lover, Mellida, daughter of Piero. Title page of the quarto of Antonio’s Revenge (London, 1602). It is his enmity to the Genoese prince Antonio and his father Andrugio which provides the motor for both plots. His friend Bassanio is desperately in need of money to court Portia, a wealthy heiress who lives in the city of Belmont. More detail: 3 minute read. Meanwhile, Mellida attempts to brush off various suitors' ploys to woo her. Throughout this complicated play, there is also a subplot featuring Mellida's cousin in which she is humorously wooed by many suitors, but ultimately decides to remain single at the conclusion of the play. Rapid transitions of action and feeling are a characteristic of both, but particularly of Antonio’s Revenge, where extreme grotesque and bloody action in multiple murders is juxtaposed with absurd comedy. The oscillation between swift-moving action, with quick exchanges in the dialogue (Marston frequently has speeches broken off in mid-sentence), and formal set-pieces is a central characteristic of both plays. Night draws on and all leave except Antonio and Mellida. They are intrigued by this unknown female "in strange accouterments" (I.i.140). These disguises act as a last attempt to escape the court and flee together. It is not until III.i.280 that Mellida finally recognizes Antonio. Written for Paul’s Boys, Marston  had two plays in mind from the beginning, since he promises a sequel at the end of the Induction to Antonio and Mellida ‘if this gain gracious acceptance’. Set in Italy, it is a drama of passion and revenge, in which Antonio, son of the duke of Genoa, is driven to murder Piero, duke of Venice, whose daughter Mellida he has loved and lost. Bassanio asks Antonio for a loan in order to travel in style to Portia’s estate. Summary Plot Overview ... Antonio and Sebastian secretly plot to take advantage of Alonso and Gonzalo’s exhaustion, deciding to kill them in the evening. It is also noteworthy that Marston gives virtually no indication of the lyrics to almost all of the songs. Mellida dresses as a page boy and Antonio dresses as a sailor. Summary: This play is a sequel to the romantic comedy Antonio and Mellida. At this moment, Antonio rises from the coffin and confesses that his death was staged in order to bring peace to the courts. The play begins on a ship, with a ship-master and a boatswain trying to keep the ship from wrecking in a tempest. Antonio reveals himself to Mellida and they plan to escape together. But, rather like Shakespeare’s Henry V, which breaks the promise made at the end of Henry IV, Part 2 to ‘continue the story with Sir John in it’, Marston’s sequel does not offer Felice the expanded role he suggested would be forthcoming: Felice appears only as a corpse in the sequel. Another series of disguises are desperately adopted by the lovers. The Merchant of Venice Summary. It was followed by a sequel, Antonio's Revenge, which was written by Marston in 1600. Antonio and Mellida opens with an Induction in which the boy actors discuss, and complain about, the parts they are about to perform, thus drawing an audience’s attention to the disparity between the juvenile actors and their adult roles. The play is a romantic comedy, which charts the "comic crosses of true love" faced by Antonio, son of the good Duke Andrugio, and Mellida, daughter of the wicked Duke Piero. eNotes plot summaries cover all the significant action of The Duchess of Malfi. Title page of the quarto of Antonio and Mellida (1602). He approaches his friend Antonio, a merchant. Andrugio, not dead but cast up on Venice's beach, is entreated by his counselor, Lucio, to disguise himself as a shepherd. Angrugio even carries his son's coffin to the court. Alonso, King of Naples, is on board, as are his brothers Antonio and Sebastian.Alonso comes above deck merely to give the mariners an unnecessary order; the boatswain begs the nobles to keep below deck during the storm, so that the men can do their jobs without distraction. The Merchant Of Venice Summary. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. Antonio and Mellida become happily married and Piero and Andrugio make amends. Thanks for exploring this SuperSummary Plot Summary of “The Merchant Of Venice” by William Shakespeare. 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